正片
从今天到明天
Du jour au lendemain
影片信息
- 状态：DVD
- 状态：C
- 导演：达尼埃尔·于伊耶
- 编剧：达尼埃尔·于伊耶让-马里·斯特劳布
- 主演：达尼埃尔·于伊耶让-马里·斯特劳布
- 年份：未知
- 制片国家：法国德国
- 类型：喜剧音乐
- 资源版本：高清版
- 资源资源：正片
- 时长：59分钟
- 上映日期：1997
- 语 言：德语
- 豆瓣：从今天到明天
- 百度AI：从今天到明天
- 更新时间：2025-04-29 05:49
- 简介：从今天到明天的剧情简介 ······ Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a no 从今天到明天的剧情简介 ······ Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a no_《从今天到明天》由 棒棒哒影院:(bangbangda.cc) 收录
网友评分
0次评分二维码分享给身边的好朋友，好东西不要一个人偷偷的看嘛！
剧情详情
从今天到明天的剧情简介 ······ Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the exciteme... (展开全部) Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience. .btn-report { float: right; color: #bbb; cursor: pointer; font-size: 13px; }
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视频截图
